Magic realism brings fantastic events into the frame of the narration. Yet it cannot quite be defined. At the very start of the process of definition, there is a question: magic realism is a mode of narration, or rather a post-colonial movement rising sociological issues alternative to the logic of power? The paper parallels and juxtaposes Latin American magic realism and the literary experience of Chinese literary Avant-garde in the 80s, similar apocalyptic thematic, but different narrative structures. Relating to the fictional universe of Can Xue and Yu Hua, the aim is to illuminate an exclusive mode to narrate history: far from being a negotiation of identities in a post-Weberian age, Chinese Avant-garde represents the implosion of Maoist discourse, thus the magic of realism is substituted with the horrifying abyss of a haunted fiction.

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