Modern world culture tends to different game forms, image techniques and\\\\\\\\r\\\\\\\\nnarrative. At the present time it has become obvious that the game in art, literature,\\\\\\\\r\\\\\\\\nculture, linguistics has acquired a particularly wide scope and is so subtle,\\\\\\\\r\\\\\\\\ncomplex, and sometimes straightforwardly absurd, that it does not fit into the well-\\\\\\\\r\\\\\\\\nknown theory of gaming understanding of art. The game is the main category and\\\\\\\\r\\\\\\\\nthe all-encompassing phenomenon of modern literature, penetrating as never\\\\\\\\r\\\\\\\\nbefore in language, style, becoming a way of philosophizing modern scientists, the\\\\\\\\r\\\\\\\\nmain argument for the overthrow of traditional concepts, the reception of the study\\\\\\\\r\\\\\\\\nof new connections of reality.\\\\\\\\r\\\\\\\\nIt is not by chance that Western anthropologists (K. Hirts) search for the\\\\\\\\r\\\\\\\\nbasis of the text of culture in the sources of game rituals, while they come to\\\\\\\\r\\\\\\\\nunderstand the game as a huge universe of human being.

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